Wendy

@shiroipsmp

Joined July 2012

263 Following

327 Followers

1.5K Posts

Wendy @shiroipsmp

4 days ago

#RespectMyanmarCulture @GMMTV

rain

@aeiaeiei66

5 days ago

🚨 SHTH Burmese Costume Controversy 🚨 First of all, I would like to ask for your understanding if this post comes a little late. This is a series I have been waiting for for over two years, and I believe this issue deserves to be addressed regardless of how late it may be brought up. This series is set in the Lanna Kingdom. Historically, the Lanna Kingdom existed from the 13th to the 18th century. In 1558, King Bayinnaung of Burma conquered Lanna, and Burmese influence remained in the region for over 200 years. From what I have read, this long period of interaction led to cultural exchanges and influences between the two kingdoms. Given the historical similarities between Burmese and Thai cultures during that era, I can understand and accept certain similarities in their traditional costumes. However, the issue goes beyond simple cultural similarities. The costumes and styling used in the Seimi dance appear to be based on Burmese clothing from the Yadanabon period, which began in 1853. The Htamein (ထဘီ) and other traditional garments associated with the Konbaung dynasty are also well-known elements of Burmese traditional dress. Seeing traditional clothing from my country used in this way without proper acknowledgment or credit is genuinely heartbreaking. I believe GMMTV should issue a clear and accurate official statement addressing this issue and give proper credit to Burmese traditional costumes and their cultural origins. What I find difficult to understand is why such thorough historical and cultural research was not conducted, especially when there was so much time to prepare for this series. Furthermore, during filming, there were reportedly measures taken to prevent costume photos from being shared on social media, including collecting fines for unauthorized posts. This makes the situation even more concerning. I am not raising this issue to create unnecessary conflict. I simply believe that every country's cultural heritage deserves proper research, respect, and acknowledgment. Cultural appreciation should always come with proper recognition and credit. If there are any inaccuracies in my historical information or understanding, please feel free to point them out and correct me. I am open to learning and discussing this respectfully. 🚨 SHTH Burmese dress issues 🚨 ၂နှစ်ကျော်လောက် စောင့်ခဲ့ရတဲ့ series မလို့ ဒီလိုပိုစ့်တင်တာ နောက်ကျကောင်း နောက်ကျသွားသည်ရှိသော် အပြစ်မမြင်ကျဖို့ ဦးစွာပြောချင်ပါတယ် ။ ဒီ series က Lanna Kingdom ကို အခြေတည်ပြီး ရိုက်ထားတဲ့ ဇာတ်ကားပါ။ သမိုင်းကာလအရ Lanna က ၁၃ ရာစုကနေ ၁၈ ရာစု အထိ မြန်မာဘုရင် ဘုရင့်နောင်မင်းက ၁၅၅၈ ခုနှစ်မှာ သိမ်းပိုက်ခဲ့ပြီး နှစ်ပေါင်း ၂၀၀ ကျော် မြန်မာအာဏာလွှမ်းမိုးမှု ရှိခဲ့ပါတာကြောင့် ယှဉ်ကျေးမှုတွေ ယှပ်ယက်နေတယ်လို့ ဖတ်မိရပါတယ်။ အဲ့ခေတ်က မြန်မာနဲ့ ထိုင်းယဉ်ကျေးမှုတွေက ဆင်တူယိုးမှား ရှိတာမလို့ ဝတ်စုံတွေ တူညီတာအထိ လက်သင့်ခံပါတယ်။ ဒါပေမဲ့ ဆီမီး အကနဲ့ ဆင်ယင်ထုံးဖွဲ့မှုက ရတနာဘုံခေတ် ( ၁၈၅၃ မှာစ )က အဝတ်အစားတွေပါ။ ထိုင်မသိမ်း ( ကုန်းဘောင်ခေတ် အဝတ်အစား )က မြန်မာတို့ရဲ့ ဝတ်စုံဆိုတာ သိမှာပါ ။ ကိုယ့်နိုင်ငံက အဝတ်အစားတွေကို ဒီလို credits မပေးပဲယူသုံးနေတာကတော့ရင်နာစရာ ဖြစ်ရပ်ပါပဲ ။ GMMTV အနေနဲ့ တိကျသေချာတဲ့ statement ထုတ်ပြီး မြန်မာဝတ်စုံကို credit ပေးသင့်ပါတယ်။ အချိန်တွေ ဒီလောက်ထိရရဲ့သားနဲ့ ဘာလို့ research သေချာမလုပ်တာလည်းဆိုတာ နားမလည်နိုင်ဘူး။ ပြီးတော့ ရိုက်ကူးစဉ်ကာလကလည်း ဝတ်စုံတွေ sns ပေါ်မတင်အောင် ဖိုင်းကောက်တာမျိုးတွေလည်းရှိပါတယ် ။ ( အမှားပါခဲ့သည်ရှိသော် ထောက်ပြပေးပါရန် ) #RespectMyanmar #MyanmarCulture

aeiaeiei66's tweet photo. 🚨 SHTH Burmese Costume Controversy 🚨

First of all, I would like to ask for your understanding if this post comes a little late. This is a series I have been waiting for for over two years, and I believe this issue deserves to be addressed regardless of how late it may be brought up.

This series is set in the Lanna Kingdom.

Historically, the Lanna Kingdom existed from the 13th to the 18th century. In 1558, King Bayinnaung of Burma conquered Lanna, and Burmese influence remained in the region for over 200 years. From what I have read, this long period of interaction led to cultural exchanges and influences between the two kingdoms.

Given the historical similarities between Burmese and Thai cultures during that era, I can understand and accept certain similarities in their traditional costumes.

However, the issue goes beyond simple cultural similarities.

The costumes and styling used in the Seimi dance appear to be based on Burmese clothing from the Yadanabon period, which began in 1853. The Htamein (ထဘီ) and other traditional garments associated with the Konbaung dynasty are also well-known elements of Burmese traditional dress.

Seeing traditional clothing from my country used in this way without proper acknowledgment or credit is genuinely heartbreaking.

I believe GMMTV should issue a clear and accurate official statement addressing this issue and give proper credit to Burmese traditional costumes and their cultural origins.

What I find difficult to understand is why such thorough historical and cultural research was not conducted, especially when there was so much time to prepare for this series.

Furthermore, during filming, there were reportedly measures taken to prevent costume photos from being shared on social media, including collecting fines for unauthorized posts. This makes the situation even more concerning.

I am not raising this issue to create unnecessary conflict. I simply believe that every country's cultural heritage deserves proper research, respect, and acknowledgment.

Cultural appreciation should always come with proper recognition and credit.

If there are any inaccuracies in my historical information or understanding, please feel free to point them out and correct me. I am open to learning and discussing this respectfully.
🚨 SHTH Burmese dress issues 🚨

၂နှစ်ကျော်လောက် စောင့်ခဲ့ရတဲ့ series မလို့ ဒီလိုပိုစ့်တင်တာ နောက်ကျကောင်း နောက်ကျသွားသည်ရှိသော် အပြစ်မမြင်ကျဖို့ ဦးစွာပြောချင်ပါတယ် ။

ဒီ series က Lanna Kingdom ကို အခြေတည်ပြီး ရိုက်ထားတဲ့ ဇာတ်ကားပါ။
သမိုင်းကာလအရ Lanna က ၁၃ ရာစုကနေ ၁၈ ရာစု အထိ မြန်မာဘုရင် ဘုရင့်နောင်မင်းက ၁၅၅၈ ခုနှစ်မှာ သိမ်းပိုက်ခဲ့ပြီး နှစ်ပေါင်း ၂၀၀ ကျော် မြန်မာအာဏာလွှမ်းမိုးမှု ရှိခဲ့ပါတာကြောင့် ယှဉ်ကျေးမှုတွေ ယှပ်ယက်နေတယ်လို့ ဖတ်မိရပါတယ်။
အဲ့ခေတ်က မြန်မာနဲ့ ထိုင်းယဉ်ကျေးမှုတွေက ဆင်တူယိုးမှား ရှိတာမလို့ ဝတ်စုံတွေ တူညီတာအထိ လက်သင့်ခံပါတယ်။

ဒါပေမဲ့ ဆီမီး အကနဲ့ ဆင်ယင်ထုံးဖွဲ့မှုက ရတနာဘုံခေတ် ( ၁၈၅၃ မှာစ )က အဝတ်အစားတွေပါ။
ထိုင်မသိမ်း ( ကုန်းဘောင်ခေတ် အဝတ်အစား )က မြန်မာတို့ရဲ့ ဝတ်စုံဆိုတာ သိမှာပါ ။
ကိုယ့်နိုင်ငံက အဝတ်အစားတွေကို ဒီလို credits မပေးပဲယူသုံးနေတာကတော့ရင်နာစရာ ဖြစ်ရပ်ပါပဲ ။

GMMTV အနေနဲ့ တိကျသေချာတဲ့ statement ထုတ်ပြီး မြန်မာဝတ်စုံကို credit ပေးသင့်ပါတယ်။
အချိန်တွေ ဒီလောက်ထိရရဲ့သားနဲ့ ဘာလို့ research သေချာမလုပ်တာလည်းဆိုတာ နားမလည်နိုင်ဘူး။

ပြီးတော့ ရိုက်ကူးစဉ်ကာလကလည်း ဝတ်စုံတွေ sns ပေါ်မတင်အောင် ဖိုင်းကောက်တာမျိုးတွေလည်းရှိပါတယ် ။

( အမှားပါခဲ့သည်ရှိသော် ထောက်ပြပေးပါရန် )

#RespectMyanmar

#MyanmarCulture

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shiroipsmp retweeted

Tawan_His_Kittypoom_Era

@TayNewPolcaEra

5 days ago

Respect for cultural heritage is essential in media production. In the upcoming drama #ScarletHeartTH, the attire and cultural performances closely resemble 19th-century Burmese traditional 'Htaingmathein' and culture. We kindly ask @GMMTV to review this and properly acknowledge the cultural origin. 🇲🇲 #RespectMyanmar #MyanmarCulture

TayNewPolcaEra's tweet photo. Respect for cultural heritage is essential in media production. In the upcoming drama #ScarletHeartTH, the attire and cultural performances closely resemble 19th-century Burmese traditional 'Htaingmathein' and culture. We kindly ask @GMMTV to review this and properly acknowledge the cultural origin. 🇲🇲

#RespectMyanmar
#MyanmarCulture

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shiroipsmp retweeted

TAYTAWAN Myanmar Fanpage 🌻

@TayTawanMyanmar

5 days ago

𝐇𝐭𝐚𝐢𝐧𝐠𝐦𝐚𝐭𝐡𝐞𝐢𝐧 (ထိုင်မသိမ်း) is not simply a name for a traditional Burmese outfit. It refers to a specific garment with its own history, construction, and cultural significance. Myanmar's traditional clothing evolved across different dynasties, and the styles worn during the early Konbaung period, Amarapura era, and later Yadanabon period were not necessarily the same. Even the cut of a garment, its fastening, its decorative details, and the way it was worn could reflect a particular period and social rank. Htaingmathein is traditionally understood as a woman's upper garment, worn with a byan htamein (ဗြန့်ထဘီ), rather than a term for the entire ensemble. These distinctions may seem minor to some, but when the terminology is repeatedly used incorrectly, an important part of cultural knowledge can gradually be lost. This is precisely why historical research matters in period dramas. Traditional clothing is not merely an aesthetic choice; it carries information about the people, period, and culture it represents. When costumes in #ScarletHeartThailand appear to draw on Myanmar court attire, it raises a legitimate question: were the garments researched according to their historical origins, construction, and period, or were different styles combined simply because they looked suitable for a historical setting? Lanna and Myanmar share a long and complex history, but historical connections do not make their respective clothing traditions interchangeable. Similarities should be examined in context, and identifiable cultural influences deserve accurate recognition. Historical fiction allows creative freedom, but creative freedom does not make historical research optional. When a production invests years in developing a period drama, understanding the origins of the clothing used to build its world should be part of that preparation. Otherwise, what is presented as historical atmosphere risks becoming a mixture of cultural references without sufficient historical grounding. 𝙊𝙪𝙧 𝙩𝙧𝙖𝙙𝙞𝙩𝙞𝙤𝙣𝙖𝙡 𝙜𝙖𝙧𝙢𝙚𝙣𝙩𝙨 𝙝𝙖𝙫𝙚 𝙣𝙖𝙢𝙚𝙨, 𝙝𝙞𝙨𝙩𝙤𝙧𝙞𝙚𝙨, 𝙖𝙣𝙙 𝙢𝙚𝙖𝙣𝙞𝙣𝙜𝙨. They deserve more than to be treated as interchangeable costumes. We sincerely hope @GMMTV and the @ScarletHeartTH production team will provide appropriate acknowledgment of Myanmar's cultural heritage wherever it has been incorporated into the series. If these elements are retained, I hope their origins will be clearly credited in the episodes or accompanying production materials. #ScarletHeartTH #BurmeseHtaingmathein

TayTawanMyanmar's tweet photo. 𝐇𝐭𝐚𝐢𝐧𝐠𝐦𝐚𝐭𝐡𝐞𝐢𝐧 (ထိုင်မသိမ်း) is not simply a name for a traditional Burmese outfit. It refers to a specific garment with its own history, construction, and cultural significance.

Myanmar's traditional clothing evolved across different dynasties, and the styles worn during the early Konbaung period, Amarapura era, and later Yadanabon period were not necessarily the same. Even the cut of a garment, its fastening, its decorative details, and the way it was worn could reflect a particular period and social rank.

Htaingmathein is traditionally understood as a woman's upper garment, worn with a byan htamein (ဗြန့်ထဘီ), rather than a term for the entire ensemble. These distinctions may seem minor to some, but when the terminology is repeatedly used incorrectly, an important part of cultural knowledge can gradually be lost.

This is precisely why historical research matters in period dramas. Traditional clothing is not merely an aesthetic choice; it carries information about the people, period, and culture it represents.

When costumes in #ScarletHeartThailand appear to draw on Myanmar court attire, it raises a legitimate question: were the garments researched according to their historical origins, construction, and period, or were different styles combined simply because they looked suitable for a historical setting?

Lanna and Myanmar share a long and complex history, but historical connections do not make their respective clothing traditions interchangeable. Similarities should be examined in context, and identifiable cultural influences deserve accurate recognition.

Historical fiction allows creative freedom, but creative freedom does not make historical research optional. When a production invests years in developing a period drama, understanding the origins of the clothing used to build its world should be part of that preparation. Otherwise, what is presented as historical atmosphere risks becoming a mixture of cultural references without sufficient historical grounding.

𝙊𝙪𝙧 𝙩𝙧𝙖𝙙𝙞𝙩𝙞𝙤𝙣𝙖𝙡 𝙜𝙖𝙧𝙢𝙚𝙣𝙩𝙨 𝙝𝙖𝙫𝙚 𝙣𝙖𝙢𝙚𝙨, 𝙝𝙞𝙨𝙩𝙤𝙧𝙞𝙚𝙨, 𝙖𝙣𝙙 𝙢𝙚𝙖𝙣𝙞𝙣𝙜𝙨. They deserve more than to be treated as interchangeable costumes.

We sincerely hope @GMMTV and the @ScarletHeartTH production team will provide appropriate acknowledgment of Myanmar's cultural heritage wherever it has been incorporated into the series. If these elements are retained, I hope their origins will be clearly credited in the episodes or accompanying production materials.

#ScarletHeartTH
#BurmeseHtaingmathein

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shiroipsmp retweeted

TAYTAWAN Myanmar Fanpage 🌻

@TayTawanMyanmar

5 days ago

Not every Burmese person knows how to perform the 𝐑𝐚𝐤𝐡𝐢𝐧𝐞 𝐨𝐢𝐥-𝐥𝐚𝐦𝐩 𝐝𝐚𝐧𝐜𝐞, and that is precisely why its cultural identity deserves recognition. Myanmar is home to many ethnic groups, including the Rakhine, Bamar, Shan, Mon, Karen, Kachin, Chin, and others. Each has its own cultural traditions, artistic expressions, and heritage. Being part of the same country does not make every tradition common to every ethnic group. The Rakhine traditional oil-lamp (Si-mee) dance, also known as Buddha Pujaniya, is a distinctive expression of Rakhine cultural heritage. Its devotional meaning is closely connected to Buddhism and offerings to the Three Jewels: the Buddha, the Dhamma, and the Sangha. The dancers move gracefully while balancing lamps on their palms, accompanied by devotional songs and traditional music. The Rakhine oil-lamp dance is a distinctive form of Rakhine traditional performing art, associated with Buddhist devotional offerings. Its choreography, music, and cultural significance form part of Rakhine heritage and should not be treated as a generic traditional dance without acknowledging its origins. When such a culturally specific performance appears in #ScarletHeartThailand, its historical and cultural origins warrant careful research. If Rakhine cultural elements have been incorporated into the series, their origins should be accurately identified and appropriately acknowledged. We sincerely hope @GMMTV and the @ScarletHeartTH production team will address these concerns, provide proper credit for verified Myanmar cultural influences, and issue an official statement clarifying the historical references behind the relevant scenes. 𝗖𝘂𝗹𝘁𝘂𝗿𝗮𝗹 𝗿𝗲𝗰𝗼𝗴𝗻𝗶𝘁𝗶𝗼𝗻 𝘀𝗵𝗼𝘂𝗹𝗱 𝗮𝗰𝗰𝗼𝗺𝗽𝗮𝗻𝘆 𝗰𝘂𝗹𝘁𝘂𝗿𝗮𝗹 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗮𝘁𝗶𝗼𝗻. We Demand Action from GMMTV #RespectMyanmarCulture

TayTawanMyanmar's tweet photo. Not every Burmese person knows how to perform the 𝐑𝐚𝐤𝐡𝐢𝐧𝐞 𝐨𝐢𝐥-𝐥𝐚𝐦𝐩 𝐝𝐚𝐧𝐜𝐞, and that is precisely why its cultural identity deserves recognition.

Myanmar is home to many ethnic groups, including the Rakhine, Bamar, Shan, Mon, Karen, Kachin, Chin, and others. Each has its own cultural traditions, artistic expressions, and heritage. Being part of the same country does not make every tradition common to every ethnic group.

The Rakhine traditional oil-lamp (Si-mee) dance, also known as Buddha Pujaniya, is a distinctive expression of Rakhine cultural heritage. Its devotional meaning is closely connected to Buddhism and offerings to the Three Jewels: the Buddha, the Dhamma, and the Sangha. The dancers move gracefully while balancing lamps on their palms, accompanied by devotional songs and traditional music.

The Rakhine oil-lamp dance is a distinctive form of Rakhine traditional performing art, associated with Buddhist devotional offerings. Its choreography, music, and cultural significance form part of Rakhine heritage and should not be treated as a generic traditional dance without acknowledging its origins.

When such a culturally specific performance appears in #ScarletHeartThailand, its historical and cultural origins warrant careful research. If Rakhine cultural elements have been incorporated into the series, their origins should be accurately identified and appropriately acknowledged.

We sincerely hope @GMMTV and the @ScarletHeartTH production team will address these concerns, provide proper credit for verified Myanmar cultural influences, and issue an official statement clarifying the historical references behind the relevant scenes.

𝗖𝘂𝗹𝘁𝘂𝗿𝗮𝗹 𝗿𝗲𝗰𝗼𝗴𝗻𝗶𝘁𝗶𝗼𝗻 𝘀𝗵𝗼𝘂𝗹𝗱 𝗮𝗰𝗰𝗼𝗺𝗽𝗮𝗻𝘆 𝗰𝘂𝗹𝘁𝘂𝗿𝗮𝗹 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗮𝘁𝗶𝗼𝗻.

We Demand Action from GMMTV

#RespectMyanmarCulture

35K

Who to follow

Mei

@jjuthemandu

Pink was just made for Kim Juhoon

Fangirling a lot of things 💕

Wendy @shiroipsmp

about 1 year ago

@TayTawanMyanmar Myanmar ကပါ 😍

Wendy @shiroipsmp

about 1 year ago

Do you remember when you joined X? I do! #MyXAnniversary

Wendy @shiroipsmp

over 5 years ago

Do you remember when you joined Twitter? I do! #MyTwitterAnniversary

Wendy @shiroipsmp

over 5 years ago

Coup leaders do nothing and care nothing about the civilians' lives! WE NEED HELP FOR COVID-19 #MyanmarNeedsO2 #July11Coup #WhatsHappeningInMyanmar https://t.co/5C0Uwl4Afz

Civil Disobedience Movement @cvdom2021

over 5 years ago

Kill the doctors, arrest the nurses, hit the volunteers It’s totally the responsibility of coup leaders and their followers for the collapse of healthcare sector in Myanmar during a global pandemic. #WhatsHappeningInMyanmar

cvdom2021's tweet photo. Kill the doctors, arrest the nurses, hit the volunteers

It’s totally the responsibility of coup leaders and their followers for the collapse of healthcare sector in Myanmar during a global pandemic.

#WhatsHappeningInMyanmar https://t.co/JQeknpLMIB

Wendy @shiroipsmp

over 5 years ago

People had to queue to get oxygen tank refills. WE NEED HELP FOR COVID-19 #MyanmarNeedsO2 #WhatsHappeningInMyanmar #July11Coup https://t.co/bxdPAL4YL6

May Wong @MayWongST

over 5 years ago

Scene in #Lashio, northern #Shan state where #Myanmar citizens are waiting to get oxygen tank refills for #Covid19 patients at home as either hospitals are overloaded or that many boycotting use of #military-operated medical facilities to treat themselves #WhatsHappeningInMyanmar

MayWongST's tweet photo. Scene in #Lashio, northern #Shan state where #Myanmar citizens are waiting to get oxygen tank refills for #Covid19 patients at home as either hospitals are overloaded or that many boycotting use of #military-operated medical facilities to treat themselves #WhatsHappeningInMyanmar https://t.co/eMZqSy471h

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shiroipsmp retweeted

Civil Disobedience Movement @cvdom2021

over 5 years ago

May our leader be healthy in her 76th birthday. 🌹🌸💐🌺🌷🌻🌼

Wendy @shiroipsmp

over 5 years ago

#CivilDisobedienceMovement #WhatsHappeningInMyanmar https://t.co/QRsJpSVzbx

ᴡɪɴᴛᴇʀ🐻 @sfys_nn

over 5 years ago

Military council issued a statement today that it has dismissed 339 personnels from Yangon University and 392 personnels from Mandalay University, including the head of professors, lecturers, teachers and wardens of hostel for joining #CivilDisobedienceMovement . #Mar6Coup

sfys_nn's tweet photo. Military council issued a statement today that it has dismissed 339 personnels from Yangon University and 392 personnels from Mandalay University, including the head of professors, lecturers, teachers and wardens of hostel for joining #CivilDisobedienceMovement .

#Mar6Coup https://t.co/es3l9Q5awH

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Wendy @shiroipsmp

over 5 years ago

The figures increase daily since coup but @UN is still watching. #WhatsHappeningInMyanmar #May6Coup https://t.co/fVhEaMvU1p

AAPP (Burma) @aapp_burma

over 5 years ago

AAPP DAILY UPDATE (06/05) 772 killed by this junta 4809 total arrested since coup 3738 currently detained/sentenced 1478 evading arrest warrant brief https://t.co/2rqOguHsUU detained https://t.co/t3HtiidXLD fatalities https://t.co/Z5HhGb2Q0h released https://t.co/Qpmf3SH0BB

aapp_burma's tweet photo. AAPP DAILY UPDATE (06/05)

772 killed by this junta

4809 total arrested since coup

3738 currently detained/sentenced

1478 evading arrest warrant

brief https://t.co/2rqOguHsUU
detained https://t.co/t3HtiidXLD
fatalities https://t.co/Z5HhGb2Q0h
released https://t.co/Qpmf3SH0BB https://t.co/bWLm2O3Isd

Wendy @shiroipsmp

over 5 years ago

#WhatsHappeningInMyanmar #MilkTeaAlliance #May7Coup https://t.co/RkXkp2WGbj

Kenneth Roth

@KenRoth

over 5 years ago

"The groundswell of opposition to the coup...was surely not in the [Myanmar] military’s game plan, making its crackdown all the riskier. Neither the outcome of the putsch nor the fate of the resistance is preordained." https://t.co/WWuNvIcs15

KenRoth's tweet photo. "The groundswell of opposition to the coup...was surely not in the [Myanmar] military’s game plan, making its crackdown all the riskier. Neither the outcome of the putsch nor the fate of the resistance is preordained." https://t.co/WWuNvIcs15 https://t.co/zOdCIcn9FS

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Wendy @shiroipsmp

over 5 years ago

#May4Coup #NoFlyZoneInMyanmar #WhatsHappeningInMyanmar #MilkTeaAlliance https://t.co/4qEdO0eGk7

pyaezone @pyaezone

over 5 years ago

📍 Mamsi, Shan State. #Shan EAOs MUST stop fighting each others and harming civilians. This is such a shame! Look at your people crying #RCSS and #SSPP. THE GREED WILL NOT TAKE YOU ANYWHWRE! #WhatsHappeningInMyanmar #May4Coup

pyaezone's tweet photo. 📍 Mamsi, Shan State.

#Shan EAOs MUST stop fighting each others and harming civilians. This is such a shame! Look at your people crying #RCSS and #SSPP. THE GREED WILL NOT TAKE YOU ANYWHWRE!

#WhatsHappeningInMyanmar
#May4Coup https://t.co/kTLn3WAp9C

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Wendy @shiroipsmp

over 5 years ago

Within 90 days, 769 civilians have been killed yet @UN is busy with issuing statements. Last time, they can’t issue statement as they like because of China and Russia. We are deeply concerned of your authority. #WhatsHappeningInMyanmar #May4Coup https://t.co/CQ9OzP1Eld

AAPP (Burma) @aapp_burma

over 5 years ago

AAPP DAILY UPDATE (04/05) 769 killed by this junta 4737 total arrested since coup 3677 currently detained/sentenced 1438 evading arrest warrant brief https://t.co/yHQGf467gs detained https://t.co/2m2Lpm6mYK fatalities https://t.co/Ni7miwuGvn released https://t.co/MRHClsZLw3

aapp_burma's tweet photo. AAPP DAILY UPDATE (04/05)

769 killed by this junta

4737 total arrested since coup

3677 currently detained/sentenced

1438 evading arrest warrant

brief https://t.co/yHQGf467gs
detained https://t.co/2m2Lpm6mYK
fatalities https://t.co/Ni7miwuGvn
released https://t.co/MRHClsZLw3 https://t.co/eQb0cPDfAU

Wendy @shiroipsmp

over 5 years ago

Thank you United States of America standing with us. #WhatsHappeningInMyanmar #May4Coup https://t.co/Qe8hPasaKP

Secretary Antony Blinken

@SecBlinken

over 5 years ago

The G7 partners are united in condemning the coup and the regime’s violence in Burma, and in urging the military to restore the path of democracy. We urge all countries to reconsider economic ties to the Burmese military. We’ll continue to promote accountability for the regime.

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Wendy @shiroipsmp

over 5 years ago

The Voice of Spring Daily Issue No. 30 (5/5) out now! #WhatsHappeningInMyanmar #May4Coup https://t.co/lAsMvisDN4

Wendy @shiroipsmp

over 5 years ago

#NoFlyZoneInMyanmar is needed to protect civilians from Military regime's air attacks. @SchranerBurgen1 @UN_HRC @UN @hrw #WhatsHappeningInMyanmar #Apr29Coup https://t.co/atome3wOSy

Zoya Phan @zoyaphan

over 5 years ago

War Crimes in Burma: More Burmese military air attacks on the Salween Peace Park in Karen State today. Indiscriminate attacks on civilian areas is a war crime. Time for the UK and international community to support referring Burma to the International Criminal Court.

Wendy @shiroipsmp

over 5 years ago

#Apr29Coup #NoFlyZoneInMyanmar #WhatsHappeningInMyanmar https://t.co/6A8T56rv7x

Myanmar Now @Myanmar_Now_Eng

over 5 years ago

VIDEO - Residents recounted to Myanmar Now about the moments when military air bases in Magway and Meiktila were hit by rockets this morning (April 29). https://t.co/MWOd724jgs #WhatsHappeningInMyanmar

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Wendy @shiroipsmp

over 5 years ago

JTBC Korea News Media interviewed @DrSasa22222 about ASEAN summit which terrorist-in-chief MinAungHlaing attended instead of our legitimate government @NUGMyanmar. #Apr27Coup #WhatsHappeningInMyanmar

Wendy

@shiroipsmp

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