‘Abandoned - But Drawing What’s Left’ is an apt description for much of Peter Brook’s work. The old farmhouse, with its TEAS sign still visible, appears overwhelmed by the vast snow-covered landscape, featureless save for the traditional network of now broken-down drystone walls.
The problem is people like Reeves (read the political establishment) look at the economy as a giant machine with inputs and outputs and don't have any time for the details of little people.
As I get older I realise its more intelligent to say: pubs shouldn't close.
In ‘February Fill Dyke in Wigan’, from Peter Brook’s ‘Twelve Months of the Year’ series of lithographs, it is the minutiae: the milk bottles on the step, the letter in the door and the aspidistra in the window which catch the eye and lift the image. (Published by Agnew’s in 1978)
Snow scenes are often magical, not so ‘Hannah Hauxwell Last Winter’, one of Peter Brook’s bleakest of some 50 portrayals of the Baldersdale farmer living and working alone at Low Birk Hatt, a truly cold painting with no sign of the usual touch of colour or brightness in the sky.
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Mathematics, physics, astronomy.
Pringles are examples of hyperbolic paraboloids, one model for the shape of our universe.
Image source: https://t.co/8iTp2DzlIL
For Waterfall Wednesday we're back in Wensleydale and this classic view of Lower Whitfield Gill Force. If you've never visited these falls, they're just a short walk out of Askrigg village 🚶♀️🚶♂️
📸 Wendy McDonnell | #YorkshireDales#WaterfallWednesday#Wensleydale