Los Angeles… the party is ON.
🔥 Mid/Late OCTOBER 🔥
I’ve been building something wild, and it’s time to put the word out. I’m teaming up with a huge special sponsor (announcement soon 👀) and reuniting the full crew from the old days with @Nakid_Magazine and #FutureEyes ❤️
THE EXPERIENCE:
•Huge gallery space in Downtown LA
•Projection-mapped walls with 25 video artists (AI + traditional)
•Epic structural installations by a geometric architect/designer
•Heavy-hitting EDM set from a big secret guest (and maybe some surprise friends rolling through 😉)
A full night of MOTION x MUSIC x TECHNOLOGY x DESIGN. This will be the most badass party AI has ever had, guaranteed. ✨🥵😈🔥
HOW TO GET IN:
•Full RSVP details, date, and artist lineup will drop randomly, stay locked in here 👌
•Special link drops Monday for 5 motion artists to be chosen from community submissions, joining the 20 that I already curated.
NAKID doesn’t do ordinary. This is months in the making, and we’re ready to deliver something unforgettable. ❤️
Huge thanks to @castorfeliz for collecting Hodophobia from the September Fellowship Daily.
I'm really glad to have a video work in their collection and truly appreciate the support!
Thank you @VanityFair ❤️🔥 https://t.co/ibWl1QrcjB
@ai_massive + #OOVIEStudios absolutely killing it with pushing AI technology and creative application of it into the future in real world experiences. 🙌💯 It’s one thing to be talked about as a company, anyone can get that. It’s quite another to be actually producing things and backing up what we say we can do with real actual work that speaks for itself.
A lot of studios chase hype, headlines, and inflated valuations with nothing tangible to show. Not us, MASSIVE has built everything from the ground up in only a year.. literally. With no outside money, we reinvest in ourselves making our studio also one of the most profitable in AI right now because of how we structured it. We work with no safety nets, because we don’t have to. It’s just talent, skill, discipline, and relentless work ethic all geared around great storytelling. That’s why we’ve already shipped dozens of projects, with more in production and hiring on the horizon. We take seriously our mantra of “Our Passion Is Storytelling”, because it really is.
Our passion isn’t money, it’s story. Storytelling that inspires visually and intellectually, grounded in great clients who care about the work. Hype fades, headlines pass, but the work lasts. If you’re good, the money follows. If you’re not, people see through it. I’m extremely proud of my family at @ai_massive and OOVIE Studios for what we accomplished, and it’s just the beginning! 🫶
TZIGANE and BEETHOVEN are proof of that, projects born from passion, executed with precision, and now resonating worldwide!
We have so much more on the horizon.. 😉
Waking up to seeing so many art accounts going hard into politics is the fastest way to an unfollow.
Make cool shit, stop fucking with people that lower your vibe, and keep it movin’
Gonna try to see how long I can last today at work and try and pump out a video in my state… we’ll see how it goes…
Gm 🐥 it’s been a minute!
SEEDREAM v4 is the most accurate and well-rounded low-censored image editing model I’ve seen yet, and I try everything.
It is so unbelievable good at text. Not only at spelling and compositional design structure of fonts and logos and nuance handmade branding graphics, but it can transfer them seamlessly into a 3d depth environment with such precision it blows my mind because me it’s doing all of this in seconds. 🔥
I out this little tutorial together because one of the most amazing things about this is going to be for small brands and entrepreneurs with product but no way to shoot or develop the marketing for it, well this is your dream tool, and it’s hella simple to use. I use @FAL but that’s just me, there are others like @freepik etc that have it.
Here we go 👇
It cannot be understated how good, and in my
opinion, superior SEEDREAM v4 is.. was messing with it last night testing some workflows for fashion editorials and catalog work and decided to throw some examples together.
For fashion companies there is so much new tech with valid awesome use-cases, it’s like being a kid in the candy shop for brands right now as well as the consumer. From outfit try-on to entire catalog work in one pipeline now.
Real product + my work = 🔥
I’ve said this before but if your job is in the creative industry but is a process job.. like catalog shoots which is literally just shooting every piece of clothing on a model, than sadly didn’t need to exist because it served a process not a creative use like shooting a campaign to bring a vision of the collection from the designer to life. Those jobs only existed due to sales and pushing mass marketing, they serve no creative purpose. Those are the jobs the person doing them needs to adapt to new AI tools and reality or see that job minimized to curation or management or gone all together. Process jobs are unneeded jobs that required human labor simply because of maximizing sales and couldn’t be replaced with an assembly line. But guess what, the office got its ‘assembly line’ manufacturing got decades ago with Ford, and it’s called AI.
The real question is.. what jobs will be created around it that now don’t exist like AI augmented mirrors in dressing rooms or marketing, curated algos that auto model clothing for you online seamlessly like better digital fitting rooms, all the way to AI-augmented materials that can shift based on mood and body temperature. The future is already cool, but it’s about to get so much better! 🔥