@contemptent Auden's essay about him in FOREWORDS AND AFTERWORDS can't be beat—something I'd say about pretty much every essay in there, for that matter.
https://t.co/ifUaVi6S8c
@contemptent Great play, too. His early plays can't be beat. Here's a "NYer" profile about from almost twenty years ago if anyone's interested in how he arrived on the scene.
https://t.co/5Nv51b2uBf
@contemptent I read her plays not long ago after seeing a mention of her. I'd never heard of her before then, but after reading her works, I'll never forget her. I can't even imagine what the live productions must have been like. 😬
https://t.co/x3rbLKHt1K
@colasante Watched "The Childhood of a Leader" the other night in preparation for this. Really enjoyed it. Still thinking about it. First thing I watched that he directed. I'm trying not to read too much about "The Brutalist," though, so I can go into it cold.
@mcmansionhell @_ryanruby_ I happen to be reading Georg Lukács THE HISTORICAL NOVEL right now. Very illustrative of how these kinds of issues get handled. Perhaps of interest to the thread.
https://t.co/saIkUmL92m
@ThouArtThat Thanks for posting this. Really enjoyed it. Shows you how after twenty-plus years, so much remains the same. The recent book below might also be of interest to the thread.
@michaelpollan
https://t.co/V1RCbNssNX
@contemptent Loved this movie. Renate Reinsve is luminous in it. Here's a great discussion of it, both pro and con, from one of my go-to podcasts. Excellent back and forth not just on the film but on the generational dynamics at play in it.
https://t.co/mxqEPZbnvp