@dykeEhrmantraut@Wackd @tredlocity Mark Fisher’s music criticism is so good that it often transcends the works he’s talking abt imo. Most clear example of this disparity is probably his writings on Drake which are largely in books but also can be read here https://t.co/FqrkGkBQ2b
@Kawaii_Fierii @Riperoo6565 such a funny tweet cos all the counterexamples in replies are shitty asf album covers
they look like they would be dope magic the gathering cards though
@Crazyuncute@vox_vis @itsporge @matildae22 incel forums, /tttt/ and edtwt are superficially different manifestations of almost the exact same cultural phenomena imo
@h0stagemaster Ur right I saw them live recently and crowd massively skewed oldhead. imo it’s bc theyre quite inaccessible relative to the other bands you mentioned, their dissonant alienating atmosphere feels closer to like, The Dead C than mainstream TikTok algorithm shoegaze.
@billyyygoatgruf dead kens I’m not getting into but you’ll clock it one day… for hailu mergia and honestky ethiojazz generally I have heard one too many quirked up white boys name drop it that I’ve had to distance myself to maintain contrarian credibility 🔥
@CrAstro2 they’re all too close to eachother to bring anything new to eachothers songs u know… like some of my fav collabs are Kendrick x vince, twista x ye and carti x skepta — they’re all good because the two artists each provide something wayy different
@billyyygoatgruf gecs obviously but also hailu mergia, xcx, dead kens, fishmans… somehwat cringe though tastefully so especially when paired with more discerning picks such as minas, d’angelo & fahey and some true classics like jeffery