How to learn #aftereffects ? Go low level, learn #compositing instead of learning "After Effects". When you understand compositing concepts you can figure out how to use any compositing softwares by the name of their tools.
@marcplanb@jbkilty@SteveHullfish@Alex4D@KyleGilman There’s a learning curve with FCP. After 2/3 weeks, I do believe most editors will start to edit faster than with Avid/Premiere. Since we moved to FCP 3 years ago, we’re editing 6-8 feature films per year with my co-editor. We’re much faster and I think we’re doing better work.
Hot off the press 🗞️
🪄 We are super excited to announce that Avid bin-locking technology has now joined the forces of Hedge. Yes, we have acquired Mimiq from Indiestor.
Read more here 👉 https://t.co/roj9MK2tmy
When did Videographer and Video Editor blend into a single job?
Why yes, I did advertise for a master Carpenter/Electrician/Plumber
#PostChat
Final Cut Pro
#FCP#FCPX#FinalCutPro@Apple
Final Cut Pro X
PSA: DO NOT store your Final Cut Libraries in ANY cloud storage sync service, be that Dropbox, Google Drive, OneDrive, iCloud, Synology Drive or LucidLink, yes, including LucidLink. Either store it locally on a folder that doesn’t sync to anything or use @postlab_app
R.I.P. Barry Johnstone, legend in the world of television. Barry was respected by all who were lucky to meet him. Trusting me early in my career, he opened the doors of many great productions through which I also made friends for life. https://t.co/Zy89T43QhP #EMGUK
Let us remember the colorists, who in 2022, are largely morticians left to parlay absolute nightmare fuel garbage into something that is at least barely acceptable. Respect to the troops who many folks don’t even realize exist.
Whilst we wait for the #Locarno75 Official Jury reveal, we thought we would share one of our favorite clips from last year's Jury interviews: Mattie Do (@MangoSodium) is Laos's first and only female Director, on top of that, she’s also the only filmmaker doing Horror films! ✨
We spoke with Tommy Dajer, the lead editor at @YesTheory, about how he and his team collaborates to churn out fresh, engaging content.
See how the Jellyfish and the ThunderBay help empower his team to create meaningful stories powered by OWC. https://t.co/PI1oeEHtQM
Jellyfish workflow servers are a family of highly-specialized network attached storage devices that are specifically designed for editors and post-production teams looking to streamline workflow and maximize output.
https://t.co/3zbamwRFYI
The Jellyfish by OWC was recognized with Cine Gear's Post Production Technology Award.
This is incredible reflection of the hard work of our talented and devoted team, and we are grateful for Cine Gear's recognition.
Here's to more innovation to come. 🚀 #onwardandupward
@knurrrrrrt + @sam_plue just published their complete workflow guide for Blood Red Sky! 🤯
https://t.co/n8V8XEK4Ql
The goal was to show #FCP can be used to cut a feature film remotely.
Mission: Accomplished.
#FCP2021#FCPX#RemoteEditing#RemoteWorkflow#PostChat