[1/6] How can you take advantage of the emergence of the wine market in Web3 ? 🤔
Don't want to just watch the opportunity pass ?
Introducing @InterCellar_ to all our new joiners ! 🍷
Our wine and spirits tokenization platform tackles both worlds at once, a thread 🧵👇
Introducing Ponder: the agentic video editor.
It’s a new paradigm for filmmaking, where powerful creative agents and humans collaborate to tell world-class stories.
We're also announcing our $2.5M pre-seed, led by Liu Jiang from Sunflower (@seedtosunflower), with @Joshuabrowder and @MattHartman.
Joined by @levie (Box), @emerywells (Frame), @JaredLeto, @CommaCapital, the @nyuniversity venture fund, @cory, @darian314, @shiffman, and many more incredible founders, investors, and creators.
@TomatoBird@_JKNFT_@moonbirds Nesting 1.0 was better because they had some of the best developers in the space building it. I’m not sure that was the case this time round, I could be wrong. It’s a shame the tech didn’t transfer with the IP I guess 🤷♂️
Earth has not anything to show more fair
Dull would he be of soul who could pass by
A sight so touching in its majesty
This City now doth, like a garment, wear
The beauty of the morning silent, bare
Ships, towers, domes, theatres and temples lie
@CryptoAntonioni@cgpov It uses Claude and others. It’s great I just rebuilt the entire tech stack for Lowther Loudspeakers with it. Took 3 weeks but has saved us over £1k pcm in SaaS costs. Highly recommend.
It’s new and different sure. I think there is art in the command line.
My issue using it is there isn’t enough control to actually art direct. It’s mostly just accepting what the AI came up with and moving on. More of a “that’s good enough” attitude than “There I’m finished” result. It’s getting better though. I love the comfyUI idea and what photoshop is doing is great.
There’s still a massive opportunity for artists in 3D packaging visualization.
When you start with dielines from Illustrator, you can build accurate prototypes that stay true to the designer’s intent. Converting those dielines into planes and using the folds as guides helps you retopologize cleanly and understand how the structure comes together.
It’s a technique that removes the guesswork. You can work directly with design teams, apply artwork precisely, and prototype in real scale and quickly. It also gives you a real understanding of how different materials and substrates behave when rendered or lit.
What’s missing in much of today’s AI-generated work is that attention to detail. Accuracy and brand equity often get lost in the process, and that’s something 3D can protect.
That’s why imo 3D has such a high ceiling. It’s accurate, consistent, and flexible. It connects naturally with 2D pipelines and can evolve into full production-ready workflows that scale.
How much control did you have over just posting what the llm came up with itself?
I’m struggling to get any minutiae detail out of these things to the point that it’s just unusable. Especially when you try and push it longer than a couple of seconds.
It’s coming for sure but we need an animation version of cursor. Even cursor can’t handle bigger projects without a hack or too.
Not against hacks! Just not sure the time/cost adds up to doing it with capture and maya.
Lowther’s final Open Weekend of 2025 takes place 14–15 November at our Foundry Street Listening Room in Northampton.
Hear the new Field Coil, SuperTweeter, Acousta QW, and 2ft Voigt Horns — each built and tuned by hand.
RSVP→ [email protected] | +44 (0)20 8300 9166
Animators have been able to make replica South Park episodes for years. The art style is purposely simple. This is terrible and proves the writing is what counts. But the point remains, if another company is using the IP for commercial benefit, that company (and anyone else with a commercial benefit - including influencers) should be sued into oblivion.