The story behind our magazine name 👇MENT traces the paths of iconic Korean pop culture moments and the communities created through their circulation. Join us as fellow reader, writer, fan, and critic! #kpop#kdrama#AcademicTwitter#WritingCommmunity
Frustrated by the gap between our academic and fandom spaces, @a_priyd and I are launching a new K-media magazine, where we try to combine ardent love for Korean media with sharp cultural critique. It’s where the cool kids hang. 😎🔥💃 Follow @ment_magazine for updates!
Using Giannetti's concepts about film, its clear to see Avildsens use of screen positioning in Rocky l by placing Rocky near the top of the screen and showing his importance by using a front facing territorial shot which places the camera (our view) below him . #smc355
In this extreme close-up shot of The Velocipastor, the rising anger of pastor Doug can be seen, while a criminal brags about his latest atrocity in the confession booth. #smc355
A shot from the beginning of the classic John Woo film, A Better Tomorrow. It is a closeup shot that ignores the rule of thirds and instead places the character in the center of the frame with a shallow depth of field, forcing the complete focus of the audience to him. #smc355
The Dwarf, which described and denounced the urban poverty in South Korea's growth era, is among the most influential novels of the late 20th century. https://t.co/wVX4SASqdz #TBRbot
@poling_colin Yes, the Korean state licensed the camptowns where these women worked, and a few years ago some of these former sex workers sued the government. Check out this article (https://t.co/vGqjs7xy34) and the Shorrock article from last Friday for more context (https://t.co/11tN4hbYvW)
It's #Korean#IndependenceMovementDay or as it's known in Korean, the day commemorating the #삼일운동#3_1운동#三一運動
After Japan colonized Korea in 1910, new laws and rules under the Japanese were designed to prevent assembly, the better to prevent resistance.
The Hallyu Project @AtPost45 is out in the world! In it we explore the pasts and futures of Hallyu, its local entanglements and global aspirations. https://t.co/dvV9ZNw60k
The comments made by the "Red prisoner" about race relations in America stood out to me (57:19 & 59:38). Do you think the film is progressive, regressive, or both, in regards to attitudes towards race and Americanism? #smce118
@MeganCurmudgeon Thanks for letting us know, Megan! I just very quickly looked at it and it seems like all the content is preserved, so the YouTube version should work just fine.