I’m very excited to announce that Forma DJR Cyrillic designed by me, is finally out.
This contemporary revival of Aldo Novarese’s slick neo-grotesque, now supports Cyrillic in five weights, and all optical sizes - from Micro to Banner.
Thanks @djrrb for this opportunity!
New! A 15-minute introduction to grammatography, a new way of writing. For anybody interested in scripts, writing and typography, here’s our @typewknd lecture accompanied by a write-up for better understanding. For 🤯 check▶️ https://t.co/hWR1WeOS4U
New interview: another young&talented designer from Moscow: Polina Kukushkina, who take care of our inst-account earlier this year.
Please have a look what Polina does as a graphic designer:
https://t.co/zoSz605Ral
While we're on this topic... @figmadesign any updates on the roadmap to support variable fonts?
They're an essential part to make future web typography better. Figma should be leading the way here.
Want to understand typography better? How to make better type selection, how to pair type, how to make grids? Want to understand how it all works?
Take this 8-week class in @CooperType we are teaching that begins October 13. https://t.co/bUEBt3WnEB
Women have been drawing type without recognition for a long time @typefacedesign grad @alicesavoie shares her research on Mon, Sept 21 at 12:30 PM (NY) about these overlooked professional 20th c designers. RSVP for this free webinar #LubalinLectureSeries https://t.co/aCTpETVbRp
From very crude sketch to first drawing, then taller and a bit more refined, to final(ish) more polished with even taller glyphs and much bigger Cap. I happened to be listening to Amazona by Roxy Music when the idea of a constructed Copperplate popped into my head.