The show that re-writes and re-animates itself based on the audience is going to @NeurIPSConf.
Sydney inbound!
https://t.co/Ydzz66sZxa
@BernieSu - @ColeClifford
Getting AI to write a joke: easy. Getting a room of 400 strangers to laugh at an AI story: a @NeurIPSConf paper. 😂 https://t.co/pUkbXIJ8mU
See you in Sydney? Laugh with us Irl?
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@ColeClifford@HarrisonSanborn
Getting AI to write a joke: easy. Getting a room of 400 strangers to laugh at an AI story: a @NeurIPSConf paper. 😂 https://t.co/pUkbXIJ8mU
See you in Sydney? Laugh with us Irl?
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@ColeClifford@HarrisonSanborn
Everyone is asking whether AI will take their job.
Let’s meet the people hiring.
For the first time, we’re bringing an AI Media Career Fair to Culver City Town Square, presented by AI on the Lot, the world’s largest AI media conference.
And every studio presenting is actively hiring filmmakers.
There are real concerns about what AI means for creative careers. A career fair doesn’t settle that debate. But emerging filmmakers deserve to see where opportunities are opening, who’s hiring, and what it takes to get in the door.
So we’re bringing local studios, agencies, and technology companies together with the people who could become their next collaborators.
Come see their work. Meet the teams. Ask what skills they need. Build a relationship that goes beyond submitting a resume into the void.
College students. Recent grads. Emerging filmmakers. Experienced creatives figuring out their next chapter. You’re all welcome!
Culver City has helped shape how stories are made for generations. Let’s help the next generation find its place here.
What’s one skill you think every filmmaker entering the industry today should learn?
And if you know someone trying to break in, tag them below.
Thank you @reactorworld and the City of Culver for sponsoring this event! #latechweek
Had a great time at @A24 with @BernieSu, @arthuregao the crew @Pickford_AI. We are using @fal's Max and Pickford StoryKernel engine to build the next version of Whispers, the next gen of interactive/immersive storytelling.
A Pixar creative director, a venture principal and a n interactive storyteller sit on an AI panel and spend the whole time talking about character and experiences.
No tooling, no workflows, no models, just straight up what resonates long term with audiences.
What kind of story can we tell now that we couldn’t tell before with AI technology.
That's what we we were talking about on @TheWrap's First Wave YouTubers take on AI with @DeStorm.
Creatives are more armed with tools than ever in the history of creativity. Things we couldn't 2 years ago, let alone 10. So how are you telling your stories?
Too how many “how I made it with AI” videos focus on how the AI works and not enough on the creative choices of the humans behind the work. And this is part of the problem of selling AI as part of the workflow. I get that as people who get paid or who are fascinated by what the AI can do for us, we feel the need to prize that novel part of the process, but it’s not doing us any favors when we don’t do a deep articulation of why we are telling the story we want to tell and the choices we made (why characters look, sound, and change the way they do). We desperately need more of that.
A TV show generated in real time that still feels like the same show.
At @fal's GenMedia Conference, crowds spent all day dropping whimsical twists into a live episode of Whispers. Across characters and scenes, the story continued.
MiniMax H3 Max + a custom LoRA by @fal